OVID.tv and First Run Features Presents F11 AND BE THERE Film Review – Moving Portrait of The Most Famous Photographer You Never Heard Of

Editor's Note: Find more OVID.tv film reviews here.

F11 AND BE THERE opens with a portrait session…Burk Uzzle’s  fingers fuss with camera settings, we see the tattooed back of his subject, then a long shot silhouette with his narration—

 “You start out with something in mind, an idea, if you’re lucky that translates to the heart and then all of that filters out through the eye….”

Uzzle making a portrait out of doors, with supplemental lighting
The final portrait of the woman in gold, next to her great grandfather's gravestone

Then he’s getting geared up, biking to his studio, doing his yoga, setting up lights for a portrait.  He narrates: “How do you become a photographer?  …. The first thing you have to know is, who are you, what defines you and your values as a person.…”  The subject of his portrait appears, he gives direction.  This portrait, and many others documented in this film, was part of a series for an exhibition Perceptions and Recognitions:  African Americans of Eastern North Carolina, a project commissioned by the Greenville Museum of Art in 2017.  This series of portrait sessions weaves through the film, unifying it and providing context for his narration; Uzzle is the sole narrator, and he brings us into his story seamlessly.

We next see him setting up his darkroom to reprint a photo from the assassination of Reverend Martin Luther King; he shows his contact sheets, which includes images of Jackie Kennedy and Robert Kennedy and wife Ethel. He chokes up. “You could see that he was going to die.  And two weeks later I was photographing his funeral.”  

Cut to him photographing outside, photographing a highway billboard, Welcome to Harrison. At the bottom, Diversity is a code word for #whitegenocide.  This transitions to a Life Magazine assignment of a Klu Klux Klan rally, chilling yet oddly respectful of his subjects, including a devastating portrait of Grand Wizard Robert Shelton. We see that  Uzzle brings high craft, a deep sensitivity, and a profound respect for all of his subjects, even those with whom he disagrees.

This OVID.tv Film Also Uses Animation

Uzzle’s early career is shown mostly through animation. He picked up a camera as a kid and was hired as a Life Magazine photographer at 23.

Uzzle photoraphing the Harrison billboard: DIVERSITY IS A CODE WORD FOR #WHITEGENOCIDE

He shows images from Viet Nam and other ravaged areas of the world, but also graphically beautiful abstracts from his early days.  Later, he joined the famed photographers’ cooperative Magnum, which gave him more freedom in choosing assignments.  We see him touring one of the three museums exhibiting his American Chronicle, showing images from throughout his career. We see him on a year-log road trip. photographing rural America with an 8x10 camera. And we hear him lecturing to art students.

Portrait of Robert Shelton, Grand Wizard of the Ku Klux Klan, with flaming cross
Uzzle's Life magazine story of Jill Kinmant, a star skier until her near fatal accident
Photograph of a Prada store in the desert, part of his year-long photo project photographing along coutnry roads with an 8 x 10 camera

The film’s climax is opening night of his Perceptions and Recognitions: African Americans of Eastern North Carolina at the Greenville Museum of Art, attended by over 700 visitors.  

The cinematography is spare, clean.  It draws you in and pulls you along, in this writer’s view. The animations add variety, transitions and sometimes a bit of humor.  The music deserves special mention—a score with tight choral harmonies, syncopation, a river of sound through a changing landscape.

This is a movie for photographers-both newbies and old pros, looking for inspiration— and for artists of all ilks and lovers of art too.  Explorers of the human condition, especially as related to the struggle for civil rights and more— not just acceptance, but also for embrace and celebration, will also likely relish this film.

Uzzle photographing a team of acrobats
Uzzle viewing transparencies


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A Film by Jethro Waters

Produced by David Raymond

Animation by Cable Hardin

Original Score by Natalie Prass and Eric Slick.

For more information and to watch the film visit the OVID.tv page for F11 and Be There

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Images courtesy of OVID.tv and First Run Features

Joe Barabe
Joe Barabe

About the Author: Joe Barabe

Joe Barabe shares that he fell in love with photography when he bumped into The Family of Man exhibition catalog, and then studied photography under photojournalist Martin Huss in Mannheim Germany. He then ran a photo center for the US Army’s Recreational Services. Joe Barabe works as a Scientific Photographer and Research Microscopist specializing in art materials and documents analysis  (Barabe & Associates LLC) and now is focusing more on promoting his fine art photography, including the remarkable images you see here. and recently launched his photography website to promote his fine art photography. Please Visit Joe Barabe photography website.

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