A spokesperson says---
"...“Limbic Geometries” borrows its central metaphor from quantum theory’s principle of superposition: the idea that a system can hold multiple potential states simultaneously, collapsing into a single clear state only through observation. For Sieh, this becomes an avenue for considering the dualities of intimacy. Her approach to these ideas takes shape as mixed-media works on paper and panel, dominated by graphite drawings of expansive skies.
Rendered without color, cumulus cloud formations and wildfire smoke can each be mistaken for the other: neither transcendent nor threatening until a viewer, influenced by memory and experience, perceives one or the other. Holes punched throughout each surface, formatted according to the conventions of early computing, conceal enciphered fragments of song lyrics, while ambiguous shadows of bodies in contact appear to shift in color as the viewer moves..."
