RedBird Theater Musters Stellar Acting Talent to Bring Arthur Miller Script to Life
Gregory Solomon is a larger-than-life character— 90ish but still working, four times married, one time circus acrobat, one-time British soldier and obviously the salesman’s salesman— a kibitzer extraordinaire. Playwright Arthur Miller describes the Solomon character “…In brief, a phenomenon, a man nearly ninety but still straight-backed and the air of his massiveness still with him…”.
“..massive…”??? There is nothing about small spry-seeming actor Dale Wolf cast by RedBird as Solomon, that fits the physical description of “..massive…”. Yet, one can imagine that Miller would see Wolf’s performance and fumble to say “..yes, a personality that could fill a dozen football fields, that’s what I REALLY meant..”
Wolf is one of four RedBird actors, who, in this reviewer’s opinion, so expertly bring Miller’s script to life that we end up wondering why it’s not as ubiquitous as productions of Miller’s other classics— Death of a Salesman, The Crucible, All My Sons, etc.
In this story, Solomon is the furniture appraiser called by Victor Franz (played by Adam Sampieri), a full pensioned policeman who could retire at any time, to do an inventory and give the price for hauling the remnants of his once wealthy family’s estate. Legally, and in Victor’s view also morally, he needs to share the proceeds with his long M.I.A. wealthy and well-established surgeon brother, Walter Franz played by Carl Martin. Victor’s wife, Esther Franz, played by actress Tamara Kissane, is not convinced that her husband owes his brother much, nor does she trust he will get the best price from the appraiser. We find ourselves as astounded as Victor when his brother Walter shows up just as Victor is sealing the deal with Solomon.
What ensues in this story is a re-hashing of family history from the brothers’ antipodal viewpoints. Their understanding of family history and who acted righteously couldn’t be more different and damning. This is not the deep knives tearing at competing world views at today’s embattled Thanksgiving tables. That’s surface dispute territory compared to this cut-to the- bone reveal of The Price each brother paid by living the lives they each did and do. Miller’s script is a deep dive into agency, the choices we make and the lies we tell ourselves. This reviewer dare not give you more details, for fear of robbing you of the precious jewel in Miller’s telling in this performance by RedBird. The emotional impact of the script is multiplied several times over by the intimate staging of the play— up close, with actors sometimes in arm’s reach.
**One added note of this parable told through a mid-century prism—Feminists Alert! In creating Esther Franz, this writer thinks Miller unwittingly gave women living in Trumpian Times an X-ray of Trad Wife realities. Oh my— there’s a reason we won’t go back!
HIGHLY RECOMMENDED
CAST:
Adam Sampieri (Victor Franz), Tamara Kissane (Esther Franz), Dale Wolf (Gregory Solomon), Carl Martin (Walter Franz).
CREATIVE TEAM:
Derrick Ivey (Director), JJ Bauer, Paul Bogas, Louis Landry, Chandler Vance (Production Team)
WHEN:
April 9 – May 2, 2026
WHERE:
This is a touring production appearing at multiple North Carolina venues:
Carrboro (April 9-12): The ArtsCenter, 400 Roberson St.
Hillsborough (April 17-18): Passmore Center, 103 Meadowlands Dr.
Durham (April 25-26): Shadowbox Studio (SOLD OUT).
Oxford (May 2): The Ox Theater at City Hall, 300 Williamsboro St.
TICKETS:
$20+
For more information and tickets visit the RedBird Theater website.
Photos by Alex Maness
Click here to read more Picture This Post RedBird Theater stories.
About the Author: Amy Munice
Amy Munice is Editor-in-Chief and Co-Publisher of Picture This Post. She covers books, dance, film, theater, music, museums and travel. Prior to founding Picture This Post, Amy was a freelance writer and global PR specialist for decades—writing and ghostwriting thousands of articles and promotional communications on a wide range of technical and not-so-technical topics.

