Resident Acting Company Presents A MIDSUMMER NIGHT’S DREAM Review — Frolic Like the Bard

When you walk into the small theater space in the Sheen Center basement you are greeted with a stage full of clutter, or rather, clutter-by-design.  Trunks are so carefully positioned to look haphazard that you too might fantasize a player will emerge from one as the action begins.  (NOTE: They don’t.)

Shortly after the actors barge into the scene they explain this isn’t the usual Bard story presentation.  Instead, this is the story told from the perspective of the mechanicals— the amateur actors who take a break from their cobbling, carpentry and similar crafts to try to memorize the script for the play within the play per Shakespeare’s pen(Act III).  As the small cast then shows us their day trades— fixing stools, hammering etc. we realize that’s what much of the jumble of stuff on the stage is all about.  But wait— the plastic spray bottle too?

Resident Acting Company Uses Acting Talent In Lieu of Big Budget Stagecraft

In this reviewer’s opinion, there’s barely a millisecond to ponder this, as the Mechanicals unleash their fast-moving romp.

Magnetic Anique Clemens pulls us in with her wide eyes and physical acting chops that make sure we really get Helena’s mindset when she comically clings to Demetrius’ leg.  RJ Foster at first dons large black rimmed glasses to effect an angry shy nerd that makes his later transformations into rake Demetrious and/or imperious Oberon all the more impressive. With nothing more than a swap of floral headband with a diaphanous scarf, Rachel Botchan similarly fast flips from the innocent love-struck Hermia to Oberon’s queen Titiania.  Andy Paterson is in no danger of being typecast as Lysander, Hermia’s would-be young lover, or the young beard sprouting Francis Flute who’d rather stick to roles in the manosphere.  Yet, he seamlessly and believably pulls both parts off quite ably. Sprite personified— wearing mottled purple exercise pants and a pussy hat familiar to feminist marchers—diminutive Carine Montbertrand’s otherworldly giggle makes us realize how so many Pucks we’ve seen before her relied on stagecraft budget more than talent.  You’ll likely find that her performance alone is worth the price of admission.  Then there is Austin Pendleton— a theater/film legend of Broadway fame, Steppenwolf, and beyond— cast as Nick Bottom, Queen Titiana’s love interest ass.  He is the cast member —clearly beloved by his fellow actors— who needs script cues the most— with each return to reading the script presumably showing how the Mechanicals aren’t ready for primetime.  Some though, like this writer, might instead start worrying that he truly is as ill as his slight frame and physical frailty suggest.

All fat is removed in this fast-paced production.   We barely get time to stop smiling at one clever don of costume accessory to signal a role change when another bon mot or sight gag piles on top.  It’s fast, it’s fun and best yet, (SPOILER ALERT) some of us are pressed into service to read lines from our seats to fill out the cast.

Resident Acting Company A MIDSUMMER NIGHT'S DREAM
RJ FOSTER

We can imagine that Resident Acting Company is giving us a taste of what productions felt like for audiences of The King’s Players, Shakespeare’s troupe.

FUN, FUN, FUN!

RECOMMENDED

WHEN:

October 11 – November 2, 2025

WHERE:

The Sheen Center for Thought & Culture
18 Bleecker Street
New York, NY 10012

TICKETS:

$15+

For more information and tickets visit the RESIDENT ACTING COMPANY website.

Photos by Al Foote III

CAST:

Austin Pendleton, Rachel Botchan, Anique Clements, RJ Foster, Carine Montbertrand and Andy Paterson,

CREATIVE TEAM:

Directed by Bradford Cover
Set and Lighting Design by Harry Feiner
Sound and Original Music by PJ Ju
Costumes by Evan Riley
Stage Managed by Kelly Merritt

Amy Munice

About the Author: Amy Munice

Amy Munice is Editor-in-Chief and Co-Publisher of Picture This Post. She covers books, dance, film, theater, music, museums and travel. Prior to founding Picture This Post, Amy was a freelance writer and global PR specialist for decades—writing and ghostwriting thousands of articles and promotional communications on a wide range of technical and not-so-technical topics.

CLICK HERE TO READ MORE ARTICLES BY AMY MUNICE.

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