Switch Theatre Presents Rhinoceros Review – Prescient Parable of Trumpian Times

We, like the cast, have waded through many word-heavy scenes to arrive at a penultimate moment that best lets Switch Theatre show their creative chops. Sporting dead-on masks that capture the inscrutability of the titular pachyderm, most of the ensemble floats before us to perform a synchronized dance.  Below the masks they wear camouflage patterned long underwear that reveals the ensemble’s diverse body shapes, from paunchy to petite.  They certainly aren’t dancers, but that adds to the fun.  They are the herd that one by one the townsfolk have morphed into.

It’s hilarious— it’s absurd.

It’s a snapshot moment in this theater of the absurd gem, Rhinoceros, penned by existentialist playwright Ionesco post WWII to speak to the dangers of conformity morphing into fascism. Bravo to community theater Switch Theatre for choosing to stage a play so in synch with the Trumpian challenges of our time.

Switch Theatre Gives Many Local Actors a Place to Shine

We find many laugh out loud moments in this production.  Right from the gitgo, as the ensemble quickly creates a French village and café scene, we enjoy the ability of each actor to help paint a town.  You will likely agree—a standout in this scene is youthful Dylan Atwood lumbering across the stage in full body crouch, so like an old man that we can imagine hearing his bones creak.

Almost every actor on the stage gets a chance to similarly shine, in this writer’s view, as one hopes a proper community theater production will always deliver. From the audience perspective, the explosion of personalities keeps us engaged and entertained throughout. There are a few standout performances too. We watch Philip Andrew Solano seem to grow into his lead character, Berenger, as the story progresses— the nebbish everyman anti-hero.  Another standout is John Paul Middlesworth as Berenger’s  best friend, who dazzles us with his marathon of calisthenics as his character, Jean, is getting infused with beast energy right in front of our eyes.

Stagecraft Adds to the Modern Update Feel

Switch’s integration of modern touches- from cellphone cameras to projection screens and more— helps dilute the periodic word drag that is troublesome in Ionesco’s script. 

Like the more-than-perfect rhinoceros masks of the dancing herd, it speaks to the thoughtfulness of what we see.

We rarely get to see a production that is so entertaining and fun, while at the same time delivering a heavy message.

CAST:

Phillip Solano ……… Bérenger
JP Middlesworth ……… Jean
Alexa Griffin ……… Daisy
Lola Ureña ……… Mrs. Boeuf
Gus Hummings ……… Botard
Jayden Peszko ………  Dudard
Dylan Atwood ……… Mr. Papillon
Bryan Squires ……… Grocer/ Fireman
Ali Patalano ……… Grocer’s Wife
Archil Megrelishvili ……… Logician
Lydia Sayers ……… Housewife/ Little Old Man’s Wife

CREATIVE TEAM:

Director: Adam Traylor
Assistant Director/SM: Lindsay Womack
Fight/Intimacy: Lily Kays
Choreographer: Ronnie West
Costume Design: Lydia Houston
Props Design: Taylor Bugge
Lighting Design: MacKenzie Ulibarri
Sound Design: Brooks Fredrickson
Technical Director: John Paul Middlesworth

WHEN:

January 22 - February 1, 2026

WHERE:

PSI Theater at The Durham Arts Council
120 Morris St.
Durham, NC, 27701

TICKETS:

$20+

For more information and tickets visit the Switch Theatre website.

Images courtesy of Switch Theatre

Click here to read more Picture This Post Switch Theatre stories.

Amy Munice

About the Author: Amy Munice

Amy Munice is Editor-in-Chief and Co-Publisher of Picture This Post. She covers books, dance, film, theater, music, museums and travel. Prior to founding Picture This Post, Amy was a freelance writer and global PR specialist for decades—writing and ghostwriting thousands of articles and promotional communications on a wide range of technical and not-so-technical topics.

CLICK HERE TO READ MORE ARTICLES BY AMY MUNICE.

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