Dvir Gallery Presents NAAMA TSABAR: LAYERS AND FORMATIONS Exhibition Review — Artwork as Instrument

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New York-based artist Naama Tsabar’s Layers and Formations is currently showing at Dvir Gallery in Paris. The exhibition comprises three installations: Works on Felt, the Gaffer series, and the New Yorker series. On the opening night, Tsabar drew each into dialogue when she played the works of art like instruments. Thick panels of curled, earth-colored felt are bound with piano strings and connected to an amplifier. The unexpected melody of these instruments is evident in the accompanying video, in which the position of the felt, the tension of the string, and the shape of the artist’s body work in unison to produce a range of sounds.

Dvir Gallery’s NAAMA TSABAR’S LAYERS AND FORMATIONS Invites Viewers To Interact With Art as Musical Instruments

There is no separation of the installations in the gallery, and nearly every piece in the exhibition has the potential to transmit sound. Viewers are free to "play" the strings on each piece as they like. Her Works on Felt is an ongoing series that began in 2012. Originally inspired by the purplish hues of nocturnal New York, these newer works are suggestive of the desert landscape of the Israeli-born artist’s childhood. Work on Felt Overlap Diptych #1 copper and sandstone in particular, with its deep sand and terracotta tones, feels almost hot to the touch.

The Gaffer series takes gaffer tape, a tool designed to mask and stabilize performance equipment, and layers it to create the illusion of an expensive, almost organic material. The gallerist explains that Tsabar is interested in exposing the hidden labor of an object we tend to encounter in a limited manner. Moving the tape from the stage floor to the gallery wall, it is thick, obvious, and leathery, filling its frame with a sweaty sheen.

In a side room, we find Tsabar's New Yorker series, which was made during a confinement period in 2020. The artist reimagines three New Yorker magazines, chipping small incisions out of their covers to reveal choice words from the interior pages: words like floodwaters, liquid, and darkness. In this writer’s opinion, this series, much smaller in scale than the works in the adjoining rooms, has an intimate quality that neatly underlines the abstract themes of origin and home that are explored throughout the rest of the exhibition.

Naama Tsabar’s Layers and Formations will appeal to any and all interested in contemporary art, particularly those who are also interested in music and textiles.

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WHEN:

Thru May 6, 2023
Tuesday - Saturday from 12PM - 7PM

WHERE:

Dvir Gallery
13 rue des Arquebusiers
75003 Paris

TICKETS:

For more information, please visit the Dvir Gallery website.

Photos: Elisheva Gavra and Aurelien Mole

Theressa Malone
Theressa Malone

About the Author: Theressa Malone

Theressa is a writer and web developer based in France. Originally from New Zealand, she has worked as a writer and editor in Wellington, San Francisco, and Paris. She founded the literary journal Milly Magazine, and enjoys working with literature in translation.
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